References

Agostini, A., & Ghisi, D. (2012). Bach: An environment for computer-aided composition in Max. In International Computer Music Conference (pp. 373-378). International Computer Music Association. http://hdl.handle.net/2027/spo.bbp2372.2012.068

Ajmera, J., McCowan, I. A., & Bourlard, H. (2004). Robust audio segmentation. [Doctoral dissertation, École Polytechnique]. EPFL. https://infoscience.epfl.ch/record/83070

Anderberg, M. R. (1973). The broad view of cluster analysis. Cluster analysis for applications, 1-9. https://doi.org/10.1016/B978-0-12-057650-0.50007-7

Assayag, G. (1998, October). Computer assisted composition today. 1st Symposium on Music and Computers

Assayag, G., Rueda, C., Laurson, M., Agon, C., & Delerue, O. (1999). Computer-assisted composition at IRCAM: From PatchWork to OpenMusic. Computer Music Journal, 23(3), 59-72.

Bødker, S. (2015). Third-wave HCI, 10 years later: Participation and sharing. Interactions, 22(5), 24-31.

Bergström, I., & Blackwell, A. F. (2016, September). The practices of programming. In 2016 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC) (pp. 190-198). IEEE. https://doi.org/10.1109/VLHCC.2016.7739684

Bergström, I., & Lotto, R. B. (2015). Code Bending: A new creative coding practice. Leonardo, 48(1), 25-31. https://doi.org/10.1162/LEON_a_00934

Bertelsen, O. W., Breinbjerg, M., & Pold, S. (2009). Emerging materiality: Reflections on creative use of software in electronic music composition. Leonardo, 42(3), 197-202.

Bischoff, J. (1991). Software as sculpture: Creating music from the ground up. Leonardo Music Journal, 1(1), 37-40. https://doi.org/10.2307/1513119

Bowers, J., Richards, J., Shaw, T., Frize, J., Freeth, B., Topley, S., ... & Edmondes, W. (2016). One knob to rule them all: Reductionist interfaces for expansionist research. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 433-438). Queensland Conservatorium Griffith University. http://doi.org/10.5281/zenodo.1175996

Bradbury, J. (2017). Biomimicry: Analysis of a corpus-based interactive improvisational system. In In International Computer Music Conference (pp. 174-178). International Computer Music Association. http://hdl.handle.net/2027/spo.bbp2372.2017.027

Bradbury, J. (2020). Computer-assisted corpus exploration with UMAP and agglomerative clustering. In Proceedings of the 1st Joint Conference on AI Music Creativity (p. 4). AIMC. http://doi.org/10.5281/zenodo.4285398

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Cascone, K. (n.d.). microsound.org. www.microsound.org.

Cascone, K. (2000). The aesthetics of failure: "Post-digital" tendencies in contemporary computer music. Computer Music Journal, 24(4), 12-18. https://doi.org/10.1162/014892600559489

De Campo, A. (2014). Lose control, gain influence: Concepts for Metacontrol. In International Computer Music Conference (pp. 217-222). International Computer Music Association. http://hdl.handle.net/2027/spo.bbp2372.2014.034

Eldridge, A., Casey, M., Moscoso, P., & Peck, M. (2016). A new method for ecoacoustics? Toward the extraction and evaluation of ecologically-meaningful soundscape components using sparse coding methods. PeerJ, 4, https://doi.org/10.7717/peerj.2108

Engelbart, D. C., (1962). Augmenting human intellect: A conceptual framework (SRI Project No. 3578). Stanford Research Institute. https://apps.dtic.mil/dtic/tr/fulltext/u2/289565.pdf

Esling, P., Masuda, N., Bardet, A., & Despres, R. (2019). Universal audio synthesizer control with normalizing flows. arXiv preprint arXiv:1907.00971.

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Fasciani, S. (2016b). Interactive computation of timbre spaces for sound synthesis control. In 2nd International Symposium on Sound and Interactivity (pp. 69-78). ICMA Array.

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Fitzgerald, D., Cranitch, M., & Coyle, E. (2005, July). Shifted non-negative matrix factorisation for sound source separation. In IEEE/SP 13th Workshop on Statistical Signal Processing, 2005 (pp. 1132-1137). IEEE. https://doi.org/10.1109/SSP.2005.1628765

Fitzgerald, D. (2010, September). Harmonic/percussive separation using median filtering. In Proceedings of the International Conference on Digital Audio Effects (DAFx). Institute of Electronic Music and Acoustics.

Foote, J. (2000, July). Automatic audio segmentation using a measure of audio novelty. In 2000 IEEE International Conference on Multimedia and Expo. ICME2000. Proceedings. Latest Advances in the Fast Changing World of Multimedia (Cat. No. 00TH8532) (pp. 452-455). IEEE. https://doi.org/10.1109/ICME.2000.869637

Ganis, F., Knudesn, E. F., Lyster, S. V., Otterbein, R., Südholt, D., & Erkut, C. (2021). Real-time timbre transfer and sound synthesis using DDSP. arXiv preprint arXiv:2103.07220.

Garber, L., y Ciencia, M. A., Ciccola, T., & Amusategui, J. C. (2020). AudioStellar, an open source corpus-based musical instrument for latent sound structure discovery and sonic experimentation. https://thegardenofcuriosity.untref.edu.ar/img/10_audiostellar/AudioStellar_for_ICMC2020.pdf

Ghisi, D. (2017). Music across music: towards a corpus-based, interactive computer-aided composition [Unpublished doctoral dissertation]. Pierre and Mary Curie University and Sorbonne University

Ghisi, D. (n.d.). Bach. Bach Project. Retrieved April 14, 2021 from https://www.bachproject.net/

Green, O. (2013). User serviceable parts: Practice, technology, sociality and method in live electronic musicking [Doctoral dissertation, City University London]. City Research Online. https://openaccess.city.ac.uk/id/eprint/2730/

Grill, T., & Flexer, A. (2012, September). Visualization of perceptual qualities in textural sounds. In International Computer Music Conference (pp. 589-596). International Computer Music Association. http://hdl.handle.net/2027/spo.bbp2372.2012.110

Grill, T. (2012). Perceptually informed organization of textural sounds. [Unpublished doctoral dissertation]. University of Music and Performing Arts Graz, Austria.

Grisey, G. (1987). Tempus ex machina: A composer's reflections on musical time. Contemporary music review, 2(1), 239-275. https://doi.org/10.1080/07494468708567060

Hackbarth, B., Schnell, N., & Schwarz, D. (2010). AudioGuide: A framework for creative exploration of concatenative sound synthesis. Research report, IRCAM, Paris, France.

Hadjeres, G., Pachet, F., & Nielsen, F. (2017, July). DeepBach: A steerable model for Bach chorales generation. International Conference on Machine Learning (pp. 1362-1371). PMLR.

Harker, A. (2012). Navigating sample-based music: Immediacy and musical control in recent electronic works. In Symposium "Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken". http://eprints.hud.ac.uk/id/eprint/18608/1/AHarker_Navigating_Sample_Based_Music.pdf

Hennequin, R., Khlif, A., Voituret, F., & Moussallam, M. (2020). Spleeter: a fast and efficient music source separation tool with pre-trained models. Journal of Open Source Software, 5(50), 2154. https://doi.org/10.21105/joss.02154

Hohman, F., Conlen, M., Heer, J., & Chau, D. H. P. (2020). Communicating with interactive articles. Distill, 5(9). https://doi.org/10.23915/distill.00028

Hunt, A., Wanderley, M. M., & Paradis, M. (2003). The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4), 429-440.

Kiefer, C. (2014). Musical Instrument Mapping Design with Echo State Networks. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 293-298). Goldsmiths, University of London. http://doi.org/10.5281/zenodo.1178829

Lefèvre, S., & Vincent, N. (2011). A two level strategy for audio segmentation. Digital Signal Processing, 21(2), 270-277. https://hal.archives-ouvertes.fr/hal-00512744

Linson, A., Dobbyn, C., Lewis, G. E., & Laney, R. (2015). A subsumption agent for collaborative free improvisation. Computer Music Journal, 39(4), 96-115.

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McFee, B., Raffel, C., Liang, D., Ellis, D. P., McVicar, M., Battenberg, E., & Nieto, O. (2015, July). librosa: Audio and music signal analysis in Python. In Proceedings of the 14th Python in Science Conference (Vol. 8, pp. 18-25). https://doi.org/10.25080/Majora-7b98e3ed-003

McInnes, L., Healy, J., & Melville, J. (2018). Umap: Uniform manifold approximation and projection for dimension reduction. arXiv preprint arXiv:1802.03426.

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Michalakos, C. (2012). The augmented drum kit: An intuitive approach to live electronic percussion performance. In International Computer Music Conference (pp. 257-260). International Computer Music Association. http://hdl.handle.net/2027/spo.bbp2372.2012.046

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Peeters, G. (2004). A large set of audio features for sound description (similarity and classification) in the CUIDADO project. CUIDADO Ist Project Report, 54(0), 1-25.

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Xu, R., & Wunsch, D. (2008). Cluster Analysis. In R. Xu and D.C. Wunsch (Eds.), Clustering (pp. 1-15). John Wiley & Sons. https://doi.org/10.1002/9780470382776.ch1

Links

2:42

https://youtu.be/b9s-8BPXd58?t=162

_derivations

https://cycling74.com/projects/_derivations

Ableton Live

https://www.ableton.com/en/

Adam Linson

http://percent-s.com/

Agglomerative Clustering

https://scikit-learn.org/stable/modules/generated/sklearn.cluster.AgglomerativeClustering.html

AI Music Creativity

https://aimusiccreativity.org

Alex Harker

https://www.alexanderjharker.co.uk

Alex Harker's ibuffer~ External

https://github.com/AlexHarker/AHarker_Externals/tree/master/ibuffer%20suite

Alex Harker's Suite of Max Objects

https://www.alexanderjharker.co.uk/Software.html

Alice Eldridge

http://www.ecila.org

Alva Noto

http://alvanoto.com

Andrea Agostini

https://www.andreaagostini.eu/

Andrea Valle

https://andreavalle.org

Anna Jordanous

https://www.kent.ac.uk/computing/people/3051/jordanous-anna

Anne La Berge

https://annelaberge.com

Another Interview Between Icarus and Marsha Vdovin

https://cycling74.com/articles/an-interview-with-icarus

Aubio

https://aubio.org

Audacity

https://www.audacityteam.org/

AudioGuide

http://www.benhackbarth.com/audioGuide/

AudioStellar

https://audiostellar.xyz/

Audrey Chen

http://www.audreychen.com

Augmented Drum

http://hdl.handle.net/2027/spo.bbp2372.2012.046

Autechre

https://en.wikipedia.org/wiki/Autechre

Auto-Encoder

https://towardsdatascience.com/auto-encoder-what-is-it-and-what-is-it-used-for-part-1-3e5c6f017726

Autopoiesis

https://atechts.bandcamp.com/album/autopoiesis

Bach Suite

https://www.bachproject.net/

Ben Carey

https://bencarey.net

Ben Hackbarth

http://www.benhackbarth.com

Benjamin Thigpen

http://benjaminthigpen.net/pages/bio.html

Bernard Parmegiani

https://en.wikipedia.org/wiki/Bernard_Parmegiani

Bernhard Günter

https://en.wikipedia.org/wiki/Bernhard_Günter

Boltzmann Distribution

https://en.wikipedia.org/wiki/Boltzmann_distribution

Burial

https://burial.bandcamp.com/

C++

https://www.cplusplus.com

Cardboard Cutout

http://owengreen.net/portfolio/cardboard-cutout/

CataRT

https://github.com/Ircam-RnD/catart-mubu

C-C-Combine

https://rodrigoconstanzo.com/combine/

CellF

http://guybenary.com/work/cellf/

(Centroid, Spread, Skewness, Kurtosis)

https://en.wikipedia.org/wiki/Moment_(mathematics)

Ciat-Lonbarde

https://www.ciat-lonbarde.net

Circuit Bending

https://en.wikipedia.org/wiki/Circuit_bending

Cluster Notes

https://github.com/jamesb93/reconstruction_error/blob/master/clusters.md

CNMAT Resonators~

https://cnmat.berkeley.edu/content/resonators

Coil Pickups and Microsounds

https://soundslikenoise.org/2020/08/16/coil-pickups-and-microsounds

Collectively Designed Max Patch

https://cycling74.com/forums/recreating-a-horsefourses-oscillator/replies/1#reply-58ed2132c2991221d9cc767c

Confetti

https://rodrigoconstanzo.com/confetti/

Crank Satori

https://cranksatori.bandcamp.com/

Creative Commons

https://creativecommons.org/licenses/by-nc/3.0/

Crest

https://uk.mathworks.com/help/audio/ref/spectralcrest.html?requestedDomain=

Curse of Dimensionality

https://en.wikipedia.org/wiki/Curse_of_dimensionality

Cycling 74

https://cycling74.com/forums/recreating-a-horsefourses-oscillator/

Danceability

https://essentia.upf.edu/reference/streaming_Danceability.html

Danger in the Air

http://owengreen.net/portfolio/danger-in-the-air/

Daniele Ghisi

https://www.danieleghisi.com/

Daniele Ghisi

https://www.danieleghisi.com

Daryl Buckley (Electric Pedal Steel Guitar)

https://twitter.com/darylelision?lang=en

Databending

https://en.wikipedia.org/wiki/Databending

Datamatics

https://www.ryojiikeda.com/project/datamatics/

Datamoshing

http://datamoshing.com

Descriptors~

https://github.com/AlexHarker/AHarker_Externals/tree/master/descriptors/descriptors%7E

Diemo Schwarz

http://diemo.concatenative.net

Diemo Schwarz and CataRT

http://imtr.ircam.fr/imtr/CataRT

Difficult Segmentation

https://discourse.flucoma.org/t/difficult-segmentation/222

Dynamic Split Tool

https://wiki.cockos.com/wiki/index.php/Dynamic_split

2018 Electric Spring Creative Coding Lab Symposium

http://electricspring.co.uk/electric-spring-2018/

2019 Electric Spring Festival

http://electricspring.co.uk/electric-spring-2019/

Elektrosluch Mini Induction Microphone

https://store.lom.audio/products/elektrosluch-mini-city-diy-kit-1?variant=4542176460832

ELISION Ensemble

https://www.elision.org.au

Essentia

https://repositori.upf.edu/handle/10230/32252

Fake Fish Distribution

https://www.icarus.nu/FFD/

find_tuned.py

https://github.com/jamesb93/interferences/blob/c22b03b17930988fadfa792be28ec369d6584157/MultiCorpus/scripts/find_tuned.py

Flatness

https://en.wikipedia.org/wiki/Spectral_flatness

FluCoMa

https://www.flucoma.org/

FluCoMa Discourse

https://discourse.flucoma.org/

Fluid Corpus Manipulation Plenary in November, 2019

https://www.flucoma.org/plenaries/

FluidCorpusMap

https://github.com/flucoma/FluidCorpusMap

Fluid Decomposition Toolbox

https://pure.hud.ac.uk/ws/portalfiles/portal/17022941/towardscorpus_final.pdf

Fourses Manual

https://synthmall.com/ifm/ifmFRS.pdf

FOURSES PAPERZ

http://www.ciat-lonbarde.net/fyrall/paperz/fourses/index.html

Fourses Synthesiser

http://www.ciat-lonbarde.net/fyrall/

Francesco Cameli

https://github.com/vitreo12

FTISAnalyser Definition

https://github.com/jamesb93/ftis/blob/3fdef209d3259783cbc4c4d296dd99f94cab727f/ftis/ftis/common/analyser.py

FuckingAudacity

https://michaelchinen.com/music/fuckingaudacity/

FuckingWebBrowser

https://michaelchinen.com/music/fuckingwebbrowser/

Gerard Assayag

https://www.ircam.fr/person/gerard-assayag/

Google Research

https://ai.google

GruntCount

https://www.tinpark.com/gruntcount-release

GruntCount Pieces

https://sumtone.bandcamp.com/album/gruntcount-improvised-pieces-for-player-and-computer

Hans Tutschku

https://tutschku.com/

HDBSCAN

https://hdbscan.readthedocs.io/en/latest/how_hdbscan_works.html

https://olilarkin.github.io/Fourses/

https://olilarkin.github.io/fourses/

Hyperlinks

https://en.wikipedia.org/wiki/Hyperlink

Icarus

https://www.icarus.nu/wp/

Interactive Timbre map

https://grrrr.org/data/research/texmap/

in This Sound On Sound Interview With Icarus

https://www.soundonsound.com/news/icarus-fake-fish-distribution

I Want to Tell You Something...

http://www.robertwannamaker.com/MusicFrameset.htm

Izotope RX

https://www.izotope.com/en/products/rx.html

JavaScript Object Notation (JSON)

https://www.json.org/json-en.html

John Eckhardt

https://www.johneckhardt.de

Journal of Creative Music Systems

https://www.jcms.org.uk

Jérôme Nika

https://jeromenika.com

Kaizo Snare

https://rodrigoconstanzo.com/2020/08/kaizo-snare/

k-d Tree

https://scikit-learn.org/stable/modules/generated/sklearn.neighbors.KDTree.html

Kim Cascone

https://en.wikipedia.org/wiki/Kim_Cascone

k-means

https://en.wikipedia.org/wiki/K-means_clustering

La Fabrique des Monstres

https://www.danieleghisi.com/works/la-fabrique-des-monstres/

Laplacian Segmentation

https://librosa.org/doc/latest/auto_examples/plot_segmentation.html

Libxtract

http://hdl.handle.net/2027/spo.bbp2372.2007.116

Liftering on MFCCs Can Drastically Alter the Results of an Algorithm

https://discourse.flucoma.org/t/mfcc-comparison/484/31?

Lindenmayer

https://en.wikipedia.org/wiki/L-system

Lisps

https://en.wikipedia.org/wiki/Lisp_(programming_language)

LjudMap

https://github.com/victorwegeborn/LjudMAP

Low Frequencies

https://soundslikenoise.org/2019/09/07/low-frequencies/

Lstn

https://michaelchinen.com/2010/12/09/listen-to-your-computer-lstn/

Lua

http://www.lua.org/

Margaret Boden

https://www.sciencedirect.com/science/article/pii/S0004370298000551

Mari Kimura

http://www.marikimura.com

Mark Fell

http://www.markfell.com/wiki/

Martin Parker

https://www.tinpark.com/

Max

https://cycling74.com/

Max for Live (M4L)

https://www.ableton.com/en/live/max-for-live/

Mel-Frequency Cepstrum Coefficients (MFCC)

https://en.wikipedia.org/wiki/Mel-frequency_cepstrum

Michael Chinen

https://michaelchinen.com/

Microsound

http://microsound.org

MIMIC

https://mimicproject.com/about

MuBu

https://ismm.ircam.fr/mubu/

MuMe

https://musicalmetacreation.org/

Natasha Barrett

https://www.natashabarrett.org/

"Nayuki" Uses SA to Reconstruct a Digitally "Shredded" Image

https://www.nayuki.io/page/image-unshredder-by-annealing

Nick Briz

http://nickbriz.com/

Nim

https://nim-lang.org/

Nussl

https://github.com/nussl/nussl

Oli Larkin

http://www.olilarkin.co.uk/

Oliver Bown

http://www.olliebown.com

Olivier Pasquet

https://www.opasquet.fr

Olivier Pasquet's Work With Impulse-Based Material

https://www.opasquet.fr/herbig-haro/

One Breath Poem Failure

https://sagemusick.bandcamp.com/track/2016-02-16-one-breath-poem-failure

OpenMusic (OM)

https://openmusic-project.github.io

Operator Overloading

https://docs.python.org/3/reference/datamodel.html#special-method-names

Opiate

https://en.wikipedia.org/wiki/Thomas_Knak

Owen Green

http://owengreen.net

Phil Minton

https://www.philminton.co.uk

PhotoShop

https://digital-photography-school.com/make-abstract-glitch-art-photographs/

Pierre Alexandre Tremblay

https://www.pierrealexandretremblay.com

Pimmon

https://pimmon.bandcamp.com/

PiPo

http://ismm.ircam.fr/pipo/

Pulse Machine Xor Moves

https://cranksatori.bandcamp.com/album/pulse-machine-xor-moves

Python

https://www.python.org

Raising the Inaudible to the Surface

https://soundslikenoise.org/2014/08/31/listening-to-the-inaudible-field-recording-and-the-pursuit-of-the-microsound/

ReaCoMa Source Code

https://www.github.com/jamesb93/reacoma

REAPER

https://www.reaper.fm

REAPER Forums

https://forum.cockos.com/showthread.php?t=239824

ReaScripts

http://reaper.fm/sdk/reascript/reascript.php

Relevant Thread in the Fluid Corpus Manipulation Discourse

https://discourse.flucoma.org/t/nnsize-question/450/27

Richard Chartier

https://richardchartier.bandcamp.com

Rodrigo Constanzo

http://www.rodrigoconstanzo.com

Rolloff

https://librosa.org/doc/0.8.0/generated/librosa.feature.spectral_rolloff.html

Ryoji Ikeda

https://www.ryojiikeda.com

S.709

https://www.iannis-xenakis.org/s-709/

Sage Pbbbt

https://sagepbbbt.com

SampleRNN

https://github.com/Unisound/SampleRNN

Sam Pluta

http://www.sampluta.com/biographyText.html

"Sandbox" Programs

https://www.youtube.com/watch?v=Ej2GqfmgjEw

Scikit-Learn

https://scikit-learn.org/stable/

S-Expressions

https://en.wikipedia.org/wiki/S-expression

Short Paper and Presentation

https://zenodo.org/record/4285398

Sibelius

https://www.avid.com/sibelius

Simulated Annealing (SA)

https://en.wikipedia.org/wiki/Simulated_annealing

Slippery Chicken

https://michael-edwards.org/sc/index.html

Solo for Wounded Part II

https://www.discogs.com/Yasunao-Tone-Solo-For-Wounded-CD/release/408846

SoundHack

https://www.soundhack.com/

SoX (Sound eXchange)

http://sox.sourceforge.net

Spleeter

https://github.com/deezer/spleeter

Steven Jan

https://orcid.org/0000-0001-6370-3713

Strasheela

http://strasheela.sourceforge.net/strasheela/doc/index.html

Surfboard

https://github.com/novoic/surfboard

Taylor Deupree

https://en.wikipedia.org/wiki/Taylor_Deupree

The Bregman Toolkit

https://github.com/bregmanstudio/SoundscapeEcology

This Fluid Corpus Manipulation (FluCoMa) Discourse Thread

https://discourse.flucoma.org/t/using-flucoma-tools-with-reaper/311/7

This Lines Forum Discourse Thread

https://llllllll.co/t/reacoma-fluid-corpus-manipulation-in-reaper/34500

Thomas Grill

https://grrrr.org

three_anchors.py

https://github.com/jamesb93/interferences/blob/c22b03b17930988fadfa792be28ec369d6584157/MultiCorpus/scripts/three_anchors.py

Tone Transfer

https://sites.research.google/tonetransfer

Tongues of Fire

https://www.youtube.com/watch?v=Ude4717dlsQ

Transient Slice Question

https://discourse.flucoma.org/t/transient-slice-question/398/6

Trevor Wishart

http://www.trevorwishart.co.uk

UMAP Algorithm

https://arxiv.org/abs/1802.03426

Untwist

https://github.com/IoSR-Surrey/untwist

Valerio Velardo

https://valeriovelardo.com

Valve Distortion

https://cycling74.com/forums/valve-distortion/replies/1#reply-58ed20e643f50b22d4bb408e

Volleys of Light and Shadow

http://www.benhackbarth.com/vls/

WAVE Header

http://soundfile.sapp.org/doc/WaveFormat/

YAML Syntax

https://yaml.org/

Zsa.Descriptors

http://www.e--j.com/index.php/what-is-zsa-descriptors/

Videos

Ben Hackbarth presenting AudioGuide.

https://www.youtube.com/embed/BEwTCZxx9r0?start=414

Binary Self-Portraits (2008) – Nick Briz

https://player.vimeo.com/video/4510943

C-C-Combine.

https://www.youtube.com/embed/K5AgH1leBUU

"Corpus exploration with UMAP and agglomerative clustering" presentation at the AI Music Creativity Conference 2020.

https://www.youtube.com/embed/-FNO0QovfsI

Dark Matter: Transmission (2012) – Richard Barrett

https://www.youtube.com/embed/ov9ZcOrONiY

Datamatics (2006) (Limited Section) – Ryoji Ikeda

https://www.youtube.com/embed/eaIrSZIyxxk'

De Natura Sonorum: Matieres Induites (1974) – Bernard Parmegiani

https://www.youtube.com/embed/Taob2fEbwwY?start=49

Electronic Tax Return (2007) – Pimmon

https://www.youtube.com/embed/AbF8NFanUdQ

"Finding Things In Stuff" presentation at the November 2019 FluCoMa Plenary

https://www.youtube.com/embed/IpD_XzW1Az4"

FluCoMa vs Orchidea MFCC matching comparison.

https://www.youtube.com/embed/DQ_hPkrbgzQ

FluidCorpusMap demonstration

https://player.vimeo.com/video/314301724?byline=0&portrait=0

From The Ground Up In Order, Embrace (2007) – Nick Briz

https://player.vimeo.com/video/4506517

FuckingAudacity demonstration by Michael Chinen

https://player.vimeo.com/video/8144372?byline=0&portrait=0

FuckingWebBrowser demonstration by Michael Chinen

https://player.vimeo.com/video/9635993?byline=0&portrait=0

Icarus (Ollie Bown and Sam Britton) explaining Fake Fish Distribution

https://player.vimeo.com/video/38404732

Lichen (2007) – Matthew Sergent

https://www.youtube.com/embed/b9s-8BPXd58

lstn demonstration by Michael Chinen

https://player.vimeo.com/video/17617200?byline=0&portrait=0

"Making Decisions About Making Decisions About Making Decisions" presentation given at the 2018 Electric Spring Creative Coding Lab Symposium.

https://www.youtube.com/embed/Ro30O9u7l8M

Malfunction30931 (2010) – Benjamin Thigpen

https://www.youtube.com/embed/K280VzAiZI0

Martin Parker demonstrating how to configure and run gruntCount

https://player.vimeo.com/video/111283604

Matthew Sergeant in conversation with ELISION's Daryl Buckley (1 of 2).

https://www.youtube.com/embed/bo_n1JXGiMY"

Matthew Sergeant in conversation with ELISION's Daryl Buckley (2 of 2).

https://www.youtube.com/embed/S0WMNvkLODU

Nicolas Collins demonstrating induction to record electromagnetic fields generated by everyday electrical appliances.

https://www.youtube.com/embed/4T7qkYY7LZM

Owen Green performing "Race to the Bottom" (2019).

https://www.youtube.com/embed/zeOm9w3ZJVc

Owen Green presentation on "Race To The Bottom".

https://www.youtube.com/embed/cekfFC9eZhY

Paradise Circus (2011) – Massive Attack vs Burial

https://www.youtube.com/embed/N701JYnjaMs

ReaCoMa Tutorial Video Series.

https://www.youtube.com/embed/r3uHMXmlPRo

Rodrigo Constanzo Creative Coding Lab Symposium Presentation."

https://www.youtube.com/embed/Ne3wAEzd3rU?start=2304

Sam Pluta discussing his work on synthesis parameter mapping using neural networks

https://player.vimeo.com/video/470864627

Sferics (1981) – Alvin Lucier

https://www.youtube.com/embed/rxUvMl_IxoQ

S.709 (1994) – Iannis Xenakis

https://www.youtube.com/embed/Zmi2EVb7kQU

Stefano Fasciani demonstrating the "TSAM" program.

https://www.youtube.com/embed/yMLl7-aI_kc?start=687

The Wreck of Former Boundaries (2015) – Aaron Cassidy

https://www.youtube.com/embed/bLKRJ2GfFEY

Tongues of Fire (1994) — Trevor Wishart

https://www.youtube.com/embed/Ude4717dlsQ?start=786

Unitxt Code (Data to AIFF) (2008) – Alva Noto

https://www.youtube.com/embed/vN9FrqrPptg

Untitled I/92 (1993) from Un Peu De Neige Salie – Bernhard Gunter

https://www.youtube.com/embed/QZfMp6tredw

Discography and Works

Binary Self-Portraits

Nick Briz

2008

By The Stream

Phil Minton and Audrey Chen

2013

Cardboard Cutout

Owen Green

2013

Daily Sketches

Sage Pbbbt

2013-2020

Danger in the Air

Owen Green

2013

Dark Matter: Transmission

Richard Barrett

2012

Datamatics

Ryoji Ikeda

2006

De Natura Sonorum: Matieres Induites

Bernard Parmegiani

1974

Electronic Tax Return

Pimmon

2007

Fake Fish Distribution

Icarus

2012

From The Ground Up In Order, Embrace

Nick Briz

2007

GENDY3

Iannis Xenakis

1991

gruntCount

Martin Parker

2013

Herbig-Haro

Olivier Pasquet

2019

I want to tell you something...

Robert Wannamaker

1999

Kaizo Snare

Rodrigo Constanzo

2019

La Fabrique des Monstres

Daniele Ghisi

2018

La Légende d'Eer

Iannis Xenakis

1977-78

Lichen

Matthew Sergeant

2017

Malfunction30931

Benjamin Thigpen

2010

Paradise Circus Rework

Burial

2011

pulse machine xor moves

Crank Sartori

2021

Race to the Bottom

Owen Green

2019

S.709

Iannis Xenakis

1994

Sferics

Alvin Lucier

1981

Solo for Wounded Part II

Yasunao Tone

1996

The Wreck of Former Boundaries

Aaron Cassidy

2015

Tongues of Fire

Trevor Wishart

1994

Unitxt Code (Data to AIFF)

Alva Noto

2008

Untitled I/92

Bernhard Gunter

1993

Volleys of Light and Shadow

Ben Hackbarth

2014